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TV

Vox's coverage of television shows, from runaway hits to streaming content to obscure titles.

TV’s buzziest shows aren’t trying to trick viewers anymore

The intimacy of the TV star death

In Station Eleven, the end of the world is a vibrant, lush green

Colors: Where did they go? An investigation.

Yellowjackets is prestige Pretty Little Liars. Hear me out.

The Golden Globes are this weekend, but they won’t be on TV

And Just Like That finds the demented comedy in life’s humiliations

The very best TV show of 2021

Insecure’s final season was about legacy. The show will leave a lasting one.

Sex and the City said it would stand for friendship over men. It didn’t.

Is Jeremy Strong the bad art friend?

Station Eleven made me want to live in the post-apocalypse

Looking back at the ’90s has meant reexamining the decade’s toxic diet culture

Nothing changed and everything changed in Succession’s third season

Main character syndrome, explained by Carrie Bradshaw

Let Succession be ambiguous

One Good Thing: The Mole is a relic of early reality TV that still holds up

Kim Cattrall, Sarah Jessica Parker, and Sex and the City’s frenemy feud 

One Good Thing: Money Heist, a joyful TV series about fighting the system

Netflix’s cute, whimsical “City of Ghosts” has layers for both parents and kids to enjoy

One Good Thing: How fashion became a part of The Nanny’s legacy

Cowboy Bebop, explained

The four F’s of trauma response and the four Roy kids of Succession

Yellowjackets brilliantly mixes teen angst and cannibalism — with major Lost vibes

Let’s talk about Cecily Strong’s game-changing “clown abortion” skit

One Good Thing: A documentary about Philly cops’ worst enemy becoming their DA

People still can’t get enough of Princess Diana

Yellowstone is one of TV’s biggest hits. What’s Yellowstone, anyway?

How seriously should we take Jon Stewart?

Succession turns a box of doughnuts into a stealthy statement about abuse

What Dave Chappelle gets wrong about trans people and comedy

The author whose story inspired Netflix’s Maid on why welfare is broken

The chaotic, irreplaceable Wendy Williams

How TV lied about abortion

The dark, enthralling power of Succession

One Good Thing: Only Murders in the Building plays like a Nora Ephron murder mystery

What Squid Game’s fantasies and harsh realities reveal about Korea

The Sopranos vs. the end of history

Why I felt betrayed by Netflix’s Midnight Mass

The tricky trans politics of FX’s Y: The Last Man

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