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Vox's coverage of movie news, reviews, analysis, and recommendations of film, from blockbuster hits to movie festival highlights.

It’s best you know nothing about the new greatest movie of all time

The 25 best movies of 2022

Stop watching movie trailers

Of course Glass Onion is a blast. But it cuts deeper than Knives Out, too.

Black Panther: Wakanda Forever unearthed deep colorism within Latino communities

Hollywood’s Black film problem, explained by Elvis Mitchell

Wakanda Forever’s touching credits scene, explained 

Marvel has a whole lot riding on Black Panther: Wakanda Forever

Unpacking Armageddon Time

All the big new rom-coms star the same people they did 20 years ago

How do you make a movie about a monster?

The existence of the last slave transport ship was denied. A new documentary reveals the truth.

The Banshees of Inisherin is great — and even better if you know the history behind it

[Redacted] returns in Black Adam’s post-credits scene

Halloween: A complete guide to horror’s quirkiest, most erratic franchise

Here are 29 new movies to get excited about

Tár demands — and deserves — your full attention

Triangle of Sadness might be the meanest film of the year. Its director is an optimist.

Every movie right now, from Amsterdam to Glass Onion, stars a million A-listers

The Bros and cons of being a huge, gay Hollywood rom-com

Who built Marilyn Monroe?

Pop culture loves gender war stories. They leave something out.

Riotsville, U.S.A. is a window onto the bizarre beginnings of police militarization

The buzziest fall movies have something in common

Inside Darren Aronofsky’s messy movie The Whale is something wise about religious trauma

The racist backlash to The Little Mermaid and Lord of The Rings is exhausting and extremely predictable

What the film Women Talking loses (and preserves) from the 2018 novel

Does Taylor Swift want an Oscar? Perhaps (ahem) All Too Well.

Why movie tickets will be $3 across America this Saturday

The summer of swirly, googly, bombastic, over-the-top movies

Netflix’s smash-hit romance Purple Hearts is a political hate-watch

Society is a mess in Emily the Criminal, Bodies Bodies Bodies, and Not Okay

Every movie seems to be split into chapters these days

Why do wigs on TV look so awful?

Why Hollywood keeps getting abortion wrong

Bullet Train is deeply derivative, and that’s its appeal

This summer’s movies are all about love

The hollowness of Tom Cruise

Ron Howard’s movie about the Thai cave rescue isn’t the Hollywood melodrama I expected

Rewatching Gigli in the age of Bennifer’s triumph