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Nobel laureate Kazuo Ishiguro wrote a screenplay about a gourmet who eats a ghost

'Never Let Me Go' Premiere  - 2010 Toronto International Film Festival Jason Merritt/Getty Images
Constance Grady is a senior correspondent on the Culture team for Vox, where since 2016 she has covered books, publishing, gender, celebrity analysis, and theater.

Welcome to the weekly Vox book link roundup, a curated collection of the best writing on the web about books and related subjects. Here’s the best the internet has to offer for the week of October 15, 2017.

Manley kills the tramp — now twice murdered — and quickly cooks him in his wok, his face "impatient and lecherous" with anticipation. What does tramp ghost taste like? What is its "mouthfeel"? Is it sour and moldy? Slimy or leathery? Airy? Gamey, perhaps? With characteristic restraint, Ishiguro doesn't say, but he offers one pungent detail: The meat smells "powerful and awful."

The influx of well-paid tech workers [to Seattle] has helped drive up the median house price by 69 percent since 2012, and has added to income inequality: The average tech salary was $98,215 last year, while more than half of the city’s residents earned less than $50,000. And rich and poor alike must endure traffic congestion that is now the fourth worst in the United States. Such “negative externalities,” as economists call them, aren’t the fault of Amazon or any of its tech peers. Even pre-Bezos, Seattle’s housing market and transportation infrastructure had struggled under the city’s superstar status. Seattle’s new Amazon headache is simply what happens when a hyper-successful company meets an already popular city.

At every event, “sweet young people” would ask Saunders “some version of: ‘Should we stick with the liberal values of sympathy and empathy or should we resist?’ And I was like: ‘They’re the same.’ I don’t see a difference. Vigorous compassion, understood properly, is very energetic. It can be angry, it can be coercive. It doesn’t have to be weak. The misunderstanding of kindness and empathy is that it is someone driving a spike through your head and you’re like: ‘Oh, thank you! I can hang a coat on it!’”

“It’s the question of consciousness, perhaps the oldest philosophical question of all: are we matter? Or are we spirit and matter? What is consciousness if there is no spirit? Questions like that are of perennial fascination and they haven’t been solved yet, thank goodness,” he said. “I’m still very grateful that scientists have not discovered what dark matter is. I was holding my breath and crossing my fingers they wouldn’t while I was writing His Dark Materials. They still don’t know and I’m very happy about that.”

Midwestern Girl goes to New York City and reminds the protagonist (of course she is not the protagonist) of everything he has left behind. He covets her innocence and despises it. When she gives up and returns home, he is sad, but not surprised.

I HATED the Salinger story. It took me days to go through it, gingerly, a page at a time, and blushing with embarrassment for him every ridiculous sentence of the way. How can they let him do it? That horrible self-consciousness, every sentence comments on itself and comments on itself commenting on itself, and I think it was actually supposed to be funny. And if the poems were so good, why not just give us one or two and shut up, for God’s sake?

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