The story — 12 gods are reincarnated every 90 or so years and only allowed to live for two, so they make the most of their limited time by taking the form of pop stars — began as riveting murder mystery. Someone may or may not have framed Lucifer, and the hunt for the truth becomes the first arc.
But since the title’s early meteoric rise, things have settled down a bit, allowing creators Jamie McKelvie (the artist) and Kieron Gillen (the writer) to have fun and be more ambitious than they were in the first arc. There’s more experimental storytelling, more gambles with the book’s characters, plus moments that explore issues like the role of social media in our lives.
The comic’s standout issue to date is No. 14, a dark dive into the psyche of the misogynistic Woden, a Norse god who’s taken the form of one half of Daft Punk. It splices together art from every other issue of WicDiv and sets that art under the patina of digital technology — exactly as a misogynistic DJ god might do.
Over the past year, this book has unfurled its wings and unveiled something bigger, badder, and grander than it first appeared to be. When it launched, it was clear WicDiv could be the hippest comic book in the land. What I didn’t realize at the time was how good it would become at everything else.